![]() That's not to say it might not be close enough for whatever you're trying to do, but since the question was sort of asked above, I thought I'd try to answer it. That's not going to be the real deal, though. ![]() It's possible that the commercial reamp boxes include some sort of "pickup sim" filter for this purpose. You can try to fix some of this with a filter somewhere after the "tape" and before the amp. I think that if the DI sounds good on its own, before re-amping, it's likely to come out a bit dark, possibly muddy, with some noticeable lack of detail after re-amping. It requires the failure of the amp/speaker/cabinet (itself a resonant low-pass filter) to make it sound acceptable. It's bright and edgy and kind of splatty. That signal generally sounds like complete ass by itself. Plugging a guitar into a high impedance load (~500k for many tube amps, up to 1M or so for modern amps/effects) creates a resonant low-pass filter. I talked about the whys and wherefores (redundant, I know) at some length on this thread. A standard passive DI will not accomplish this. If you're looking to get a reasonable approximation of the sound you would expect from plugging your guitar directly into your amp, you must present the pickups with an appropriate input impedance on the way to the recorder. This may sound obvious, but the question above re: upgrading the DIs brings us to this point. I will say that no matter how you intend to get the signal from recorder>amplifier the quality of the result will depend almost entirely upon the quality of the recorded signal. We've had that argument before, and I usually just throw up my hands saying "Fine, do what you want! It's your money!" With the Palmer trave passive re-amplification box, you can add new creative sounds and timbres to your music and ultimately be true to your sound.I'm not going to touch the reamp box question. ![]() The input of this reamping box allows you to switch between consumer (-10 dBV) and professional (+4 dBu) levels, and the output level is continuously adjustable, so you can drive your amp or pedals just the way you like it. The Palmer trave is a passive reamping box that requires no external power. At the same time, the trave prevents ground loops, which are otherwise almost unavoidable when you combine an audio interface or mixer output with a guitar amp or effects pedal. Reamping is a valuable recording technique used by many sound engineers. Inside is a specially developed transformer that converts the balanced line signal into an unbalanced Hi-Z signal with perfectly matched impedance for your guitar amplifier or effect pedal. The Palmer trave is a passive reamping box that requires no external power supply. As with many other techniques, you need the right tools. For those who use active pick ups or prefer the sound of a passive direct box. It lets you experiment at leisure by running guitar, bass, keyboard, drum and even vocal tracks through amplifiers and effects pedals. Here we have the Redeye reamp/DI boxes, and the PCP theres no end to. Reamping is a valuable recording technique used by many sound engineers. rewritable tour label for attachment onto the back of the trave
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